• Subiect: At the end of the nineteenth century and the early twentieth century, in the European States, the issue of nationalism has increasingly been put in question. This current quickly arrived in our country as well. If at the end of the 19th century in the Romanian Principalities, Nicolae Grigorescu and Ion Andreescu break the official academic art template, inaugurating a new current whose main feature is the direct link to reality, love for simple human life, the same renewal marks it in Transylvania and Banat the art of Octavian Smigelschi (1866-1912). Elaborating a program for the renewal of Romanian religious art, Octavian Smigelschi emphasizes the need to create a style marked by the fingerprint of a vigorous national identity, first put in fact in 1904 by painting the dome, the pendant and iconostasis of the Metropolitan Cathedral in Sibiu, and then through the iconostasis of churches in Bistriţa Năsăud County.
  • Limba de redactare: română, engleză
  • Vezi publicația: Revista Bistriţei
  • Editura: Publicat de: Accent
  • Loc publicare: Cluj-Napoca
  • Anul publicaţiei: 2019
  • Referinţă bibliografică pentru nr. revistă: XXXIII; anul 2019
  • Paginaţia: 79-93
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