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Receptarea xilogravurii lui Albrecht Dürer, Regele David, 1499, în tipografii de la Iaşi şi Bucureşti din secolele XVII-XVIII

  • Subiect: The paintings, woodcuts or metal engravings accomplished by the Renaissance German artist Albrecht Dürer (1471-1528) were the object of attention during both his lifetime and afterwards. His engravings were intensely circulated not only in the Catholic ambience but also in the Orthodox world, having a real impact on diverse artistic techniques in the Balkan area. As some researchers have found out, in the course of the 15th-19th centuries, the influence of German engravings, particularly of Dürer’s, is also noticeable on the Romanian territory, in wall and altar painting or in metal covers of religious books. Dürer’s graphics reached the early Romanian writings through the Ukrainian woodcuts as well as through other ways and means. Anonymous or known xylographers, who were active between the 17th and 19th centuries, in the typographies from Govora, Iaşi, Blaj, Bucharest or the Monastery of Neamţ were most assuredly influenced by Albrecht Dürer’s engraved works (Fig. 1-2).
  • Limba de redactare: română, engleză
  • Secţiunea: Istorie. Studii şi articole
  • Vezi publicația: Sargetia. Acta Musei Devensis
  • Editura: Muzeul Civilizaţiei Dacice şi Romane
  • Loc publicare: Deva
  • Anul publicaţiei: 2016
  • Referinţă bibliografică pentru nr. revistă: VII; anul 2016; subtitlu: Acta Musei Devensis; In memoriam Téglás Gábor (1848-1916); seria nouă
  • Paginaţia: 275-280
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