Arta populară proletcultistă ilustrată printr-o inedită piesă vestimentară românească din colecţia Muzeului Rus de Etnografie

  • Subiect: In the Soviet Union the first decade a fier the October Revolution was the golden era of folk/ore scholarship research. Since the party and the government were occupied with many urgent tasks, scientists could pursue freely their interests. As a resuit, significant studies were completed. But at the beginning of the first five year plan, in 1929,folklore became the subject of much debate and criticism. Adherents of the PROLETKULT calledfor the eradication of al! aspects offolklore branded it as a harmful survival of the past which should not be cultivated as art. During the reign of Stalin over the Soviet Union the ofjicials had as purpose the destruction of the old way of life and the building of communism. Folk artfell out of favor with the newly created Soviet governmentfor a time, but as the government became actively involved in creating a new cu/ture for their new society, they realized the potential of folk/ore as a means to achieve their goals. Since the last '40 of the fast century the model of developing a pseudo folk art was alsa used in other socialist countries, with the same purpose. In the textile collections of the Russian Museum of Ethnography, now days one of the mast important ethnographic museum in the world, there is a unique sample of folk art, a traditional waistcoat made of sheep skin decorated with embroidery representing communist symbols. The waistcoat is present of a Romanian fur dresser to I. V Stalin in 1949. The exhibit was part of an exhibition of the gifts to Stalin, organized in 1953, in Moscow, and it is afine example of the new folk art favored by the communist regime.
  • Limba de redactare: română
  • Vezi publicația: Cibinium
  • Editura: ASTRA Museum
  • Loc publicare: Sibiu
  • Anul publicaţiei: 2016
  • Referinţă bibliografică pentru nr. revistă: XVI; anul 2016
  • Paginaţia: 137-143
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